I'm currently working on project for Mt Scopus, Burwood - Primary School; as part of my R&D have been reading about the relationship between design and education - came across this provocateur:
HUMAN NEEDS RELEVANT TO DESIGN
In addition to satisfying their physiological needs, such as light, air, food, sleep, and sexuality, people have additional basic needs that are of interest with regard to interior design. One of the most fundamental of these is related to experiencing one’s own existence, the experience of “I am”. Through the sense of touch, of contact, people learn how to distinguish between their bodies and the outside world and, in doing so, experience themselves. This experience is also supported by the boundaries, objects, and materials of architectural space. Another human need is that of orientation: in one’s surroundings as well as in planning and shaping one’s own life. Architectural design that is geared to people can thus communicate meaning and build values. The need for orientation also includes the need for control, which means being able to cope with situations and achieve goals. The desire for control is related to the desire for room, for leeway, to carry out one’s actions. The designed environment can create an important framework that helps people cope with their situation. Understanding something is a “first, important step along the path to control” (Wolfman Kurz).
Colour Communication in Architectural Space, Meerwein, Rodeck, Mahnke.
Falling Garden San Staë church on the Canale Grande 50th Biennial of Venice, 2003 Installation by: Gerda Steiner & Jorg Lenzlinger
PW
Phoebe, I love this image! - MG
Creatures kissing in the rain Shapeless in the dark again In the hanging garden Please don't speak In the hanging garden No one sleeps In the hanging garden In the hanging garden
Catching haloes on the moon Gives my hands the shapes of angels In the heat of the night The animals scream In the heat of the night Walking into a dream . . .
Fall fall fall fall Into the walls Jump jump out of time Fall fall fall fall Out of the sky Cover my face as the animals cry In the hanging garden In the hanging garden
Creatures kissing in the rain Shapeless in the dark again In a hanging garden Change the past In a hanging garden Wearing furs And masks
Fall fall fall fall Into the walls Jump jump out of time Fall fall fall fall Out of the sky Cover my face as the animals die In the hanging garden As the animals die Cover my face as the animals die
In the hanging garden
The Cure PW
mc
just a thought - triggered by this image - if we go forward with 'organic matter in a clear plastic receptacle' for our Pushka proposal then we should produce a few prototypes - not sure about James but I know the rest of you are apartment dwellers, for the record: I have a backyard should we need to do any test tube plantings! - MG
Everyday. Object. Context. con·text
PW
Demarcate Main Entry: de·mar·cate Pronunciation: di-'mär-"kAt, 'dE-" Function: transitive verb Inflected Forms: -cat·ed;-cat·ing 1: to mark or determine the limits of 2: to set apart clearly or distinctly as if by definite limits or boundaries —de·mar·ca·tionalsode·mar·ka·tion /"dE-"mär-'kA-sh&n/ noun
PW
Little publications ...... as ways of presenting our design proposals! We could start to create a little library of zines that we have to sell, use for interviews, artefactual documents produced from each project but also communicate the initial proposal phase. Zine. A small circulation publication of original or appropriated texts and images. More broadly, the term encompasses any self published work of minority interest usually reproduced via photocopier on a variety of colored paper stock.
1965, short for fanzine (1949), from fan + suffix abstracted from magazine.